Development Blog

For nineteen weeks we've shown you avatars, projectiles, monsters, and combat systems. This week we're showing you the space itself.

This is the initial arena design for Avalon Battlegrounds — the environment every player steps into when they put on a headset. Our artists are working hard to create a breathtaking and memorable experience, and this is the first look at what that world actually feels like.

The design language: Towering metallic walls lined with glowing circuit panels. A starfield overhead that opens the space up and keeps the ceiling from feeling claustrophobic. The aesthetic is sci-fi industrial — dark surfaces with cyan-lit details that give the arena a sense of scale and atmosphere without overwhelming the player's field of view during gameplay.

Bloom lighting: This build has the bloom post-processing pass enabled — that's the soft glow you see radiating from the circuit panels and light sources. It's a subtle but important effect. Without bloom, emissive surfaces look flat. With it, light feels like it's actually casting into the space. The trick is dialing it in so it adds atmosphere without blowing out detail, especially on Quest hardware where every rendering pass counts.

Why the arena matters: In shared-reality VR, the environment isn't just a backdrop — it's the entire world. The physical room disappears. Every surface, every light source, every overhead detail is part of what makes a fifteen-minute session feel like stepping into another place. The arena has to look good from every angle, at every distance, because twelve players are moving through it constantly.

This is still early. The artists are iterating on materials, lighting balance, and environmental detail. But the foundation is set — and it's already the kind of space that makes you want to look around before the game even starts.

Last week we showed you fireballs and ice balls. This week we're showing you the person throwing them.

This is the DodgeIt avatar — the final in-game player model. This is what every player looks like inside the arena.

Closeup — hexagonal surface texture, glowing visor, and lit shoulder accents.

Final model — full body. The glowing accents shift to yellow or green based on team.

Under the hood — 3,837 vertices, 7,670 triangles. Solid mesh on the left, wireframe on the right.

The design: Dark body suit with a hexagonal surface texture, glowing accent lines, and a lit visor. The aesthetic is futuristic and clean — it reads instantly in a fast-moving arena where you need to identify teammates and opponents at a glance. The white glow you see here shifts to yellow or green in-game depending on which team you're on.

Why it matters: In DodgeIt, two teams are in the same arena throwing projectiles at each other. You need to know who's on your team and who isn't — immediately, without thinking. The glowing team-colored accents solve that. Across the visor, down the shoulders, along the torso — every angle gives you a clear read on friend or foe.

Built for Quest: The model comes in at 7,670 triangles — well within the performance budget for Quest 3S hardware. A full arena of twelve avatars renders comfortably alongside projectile effects, arena geometry, and the UI layer. No compromises on framerate.

What you won't see: Your own body. In DodgeIt, you don't see the avatar when you look down — you see your real hands tracked by the headset. The avatar is what everyone else sees when they look at you. It's your presence in their world. When you wind up a fireball and hurl it across the arena, the person on the other side sees a glowing figure with a lit visor rear back and throw.

Battlegrounds has its own avatar — a fantasy warrior that fits the medieval theme. The DodgeIt avatar is purpose-built for the futuristic arena. Different game modes, different worlds, different looks. Same full-body tracking pipeline driving all of them.

We've been building Battlegrounds — the cooperative monster combat experience — for seventeen weeks. This week we shifted focus to our second game mode: DodgeIt.

DodgeIt is competitive. Two teams in the same arena, throwing projectiles at each other. But unlike real dodgeball, these aren't rubber balls — they're fireballs and ice balls, with real visual effects, spatial audio, and an entirely different feel from anything we've built so far.

How it works: Each player gets two elements. Squeeze your right grip and a fireball ignites in your hand — a glowing core wrapped in flame trails with a crackling audio cue. Squeeze the left grip and you summon an ice ball. Each element looks, sounds, and behaves differently.

The charge mechanic: This is where it gets tactical. You can quick-release a ball for a fast, small throw that deals light damage. Or you can hold it. The longer you charge, the larger the ball grows — up to ten seconds for a fully charged shot that moves slower but hits significantly harder. It creates a genuine risk-reward decision: do you fire fast and keep your opponent dodging, or do you wind up a heavy shot and try to land the knockout blow?

When it connects: A direct hit triggers an elemental explosion effect with spatial audio — you hear and see the impact, and the sound fades naturally with distance. Every player in the arena has a health display that ticks down with each hit, shifting from green to yellow to orange to red. When a player's health reaches zero, the display reads “OUT,” their avatar turns grey, and they can no longer throw. Clean, clear, no ambiguity about who's still in the fight.

Arena boundaries: Missed shots don't fly off into the void. As a ball approaches the edge of the arena, it fades to invisible and disappears. From the player's perspective, every throw either connects or dissolves — no awkward projectiles hanging in open space.

On the visuals: The fireball effects are final — the glowing core, the trailing flames, the impact explosion all look the way they will on opening day. The ice ball is still in progress. Right now it renders as a solid projectile, but we're working on the frost particle effects and shattering impact to bring it up to the same standard as the fireball. Both elements are built from a professional VFX library adapted specifically for Quest 3 hardware.

Why this matters: DodgeIt is designed to be our broadest-appeal game mode. The rules are instantly familiar — it's dodgeball. But the experience is something entirely new. Throwing fireballs with your actual arm, dodging ice projectiles with your actual body, watching someone charge up a massive shot and knowing you have seconds to react. Every session is physical, social, and impossible to replicate at home.

We're building toward a venue with multiple game modes running simultaneously across four arenas. Some groups will choose Battlegrounds for the cooperative adventure. Others will choose DodgeIt for the head-to-head competition. Having both options means broader appeal and higher rebookings — people come back to try the mode they didn't play last time.

The problem: Quest 3 headsets track your head and your hands. That's it. Your legs, hips, and torso are invisible to the system. In a game where you're standing in a room with other people, having every avatar float around as a head and two hands breaks immersion. We needed full-body tracking without requiring players to wear any additional sensors.

The solution: Overhead depth cameras mounted above the play area, running a computer vision pipeline that estimates joint positions in real time. We mounted the first camera in its final position this week and ran our first live detection test — all major joints detected with high confidence. Hips, knees, and ankles all came in strong, which is exactly the data we need for leg movement. The camera data flows to the game server, gets matched to headset players, and drives each avatar's legs through inverse kinematics.

Graceful degradation: This is a core design principle. If the camera system isn't running, nothing breaks. The skeleton data rides alongside existing player state in the network broadcast. When the tracking service isn't active, each player's legs stay in their default pose. When camera data arrives, legs smoothly blend in. When a player walks out of camera view, confidence decays over about a second — a gentle fade back to default, no jarring snap.

Full articulation: With camera tracking online, remote player avatars now have the data they need for full-body rendering — head rotation from the headset, body rotation inferred from head direction, arms driven by controller positions, and legs driven by camera skeleton data. All of it running through our lightweight two-bone IK solver.

What's next: With the avatar pipeline coming together, we're turning our attention to combat — match flow, wave spawning, and game progression. Time to make the swords do something.

This was our most productive week yet. We built the entire camera body tracking pipeline in a single focused sprint — 14 files created or modified across three codebases (Python, C# server, C# client).

Camera Tracking Service: A standalone service that captures video, runs the vision pipeline, and sends joint data to the game server.

Server Integration: New server components handle receiving skeleton data, fusing input from multiple cameras, matching detected bodies to headset players, and managing confidence levels.

Key design decision: graceful degradation. If the tracking service isn't running, legs remain in their default pose. Nothing breaks. The leg tracking elevates the experience, but the core game never depends on it.

Bandwidth impact: The skeleton data adds modest overhead per player. Even with a full arena, the total bandwidth comfortably fits within a single UDP datagram per broadcast — no fragmentation concerns.

Build count: 61.

Big step forward this week. We're adding full-body tracking.

The hardware: Depth cameras mounted in the arena, covering the play space from multiple angles.

The approach: A custom computer vision pipeline that detects players in the arena and estimates lower-body joint positions in real time.

Here's the high-level flow:

1. Camera service captures video from multiple angles
2. Vision pipeline detects players and estimates joint positions
3. Joint data is projected into arena coordinates
4. The game server fuses data from multiple cameras, matches bodies to headset players, and injects skeleton data into the broadcast

Two weeks ago I mentioned we were exploring VRIK for remote player bodies. This week we made the call to move past it and build something purpose-built — and the result is dramatically better.

The breakthrough: RemotePlayerVisual

A lean, purpose-built bone mapping system:

1. Reads the server-provided head position and rotation
2. Places the avatar's head bone with yaw and pitch applied to the bind pose
3. Positions the hands using SimpleTwoBoneIK — a minimal two-bone IK solver
4. Infers body facing direction from hand positions
5. Everything else stays in the default bind pose

It's simpler. It's faster. And it looks great — clean, consistent, and performant.

Also this week: The B Button Calibration System

Each player presses the B button on their right controller while standing normally. The system captures their head position, validates they're actually standing, and establishes the transform between headset tracking space and arena space. The floor level is now perfect. Players are grounded exactly where they should be.

Head rotation is also working. Yaw (left/right looking) and pitch (up/down looking) are extracted from the headset rotation, transformed through the calibration offset, and applied to the avatar's head bone in world space. Other players can now see you look around.

Build count: 36 (#58 by end of week — we burned through a lot of test builds).

A player killed a monster this week.

Let me set the scene: one Quest headset, one Mac mini, three Fodder monsters spawned in a triangle pattern in front of the player. The player is holding a mace (a simple mesh attached to the right controller). They swing, the weapon collider hits the monster, the server validates the hit, applies 25 damage, the Fodder drops dead (HP 25 - 25 = 0), and the score increments by 10 points.

It took 12 weeks to get here, and it was worth every one of them.

CombatResolver is the key new component. It's intentionally stateless — it doesn't own any data. It takes inputs (player position, weapon position, monster positions) and outputs events (damage dealt, monster killed, player damaged). The server calls it, it returns results, the server applies them.

Why stateless? Because combat logic is the most likely source of bugs, and stateless code is the easiest to test and reason about. No hidden state, no timing dependencies, no “well, it depends on what happened last frame.”

Shield blocking is also working at a basic level. The Warrior's left hand holds a shield. If the left hand is in front of the body and the monster is within a 90-degree cone in front of the player, the attack is blocked.

We also added haptic feedback this week. When you hit a monster, the right controller buzzes briefly. When you kill one, it's a stronger buzz. When a monster hits you, both controllers pulse. When you go down (HP = 0), it's a long rumble. These small touches make the combat feel real.

Build count: 28.

While the avatar work continues in parallel, we started building the monster system this week.

MonsterManager is the server-side brain: manages a pool of 20 monster instances (pre-allocated), spawns monsters at designated points, runs AI at 60Hz, and reports all active monster states for the 30Hz broadcast.

Monster types range from fast, fragile Fodder enemies to massive Boss encounters. Each type has tuned stats for HP, damage, speed, and point value — designed so a room full of mixed types creates natural tactical decisions about what to prioritize.

Monster AI is deliberately simple for v1. Monsters target players, pursue them, and attack when in range — with cooldowns to prevent unfair damage spikes. The simplicity is intentional: predictable enemies let players feel powerful.

On the client side, we built MonsterRenderer — a pooled system that pre-instantiates 20 monster GameObjects (currently just colored capsules) and maps them to server monster IDs. Color-coded by type: green for Fodder, yellow for Bruiser, blue for Ranged, orange for Elite, red for Boss.

We tested with three Fodder monsters spawning at match start. On the Quest headset, you can see three green capsules in the arena. They chase you. It's dumb and simple and it works.

Build count: 22.

Happy New Year. We're back, and tackling one of the most visible parts of the experience: making remote players look like actual people.

The goal: Replace placeholder cubes with humanoid avatars.

First exploration: VRIK. FinalIK's VRIK is the industry standard for head+hands IK in VR. We set it up and evaluated it:

1. Performance budget. VRIK solving multiple remote player bodies eats a significant chunk of the per-frame budget on mobile VR hardware.
2. Input limitations. With only head + hands (no hip tracker), VRIK infers body orientation and spine twist. The results vary.
3. Configuration overhead. Each avatar needs VRIK calibration and bone mapping. At 11 remote players, the setup surface area is large.

We're evaluating whether VRIK is the right tool for our constraints, or whether a lighter purpose-built approach would serve us better.

Build count: 17.

Light week — most of the team is off. I spent a few days doing architecture cleanup and planning the January sprint.

Major update: Architecture V3. As the system matures, the architecture doc evolves with it. V3 adds proper data flow diagrams for the customer journey and critical numbers that govern everything:

• Max players per arena
• Max simultaneous monsters
• Match duration and respawn timers
• Server tick rate, broadcast rate, client input rate, and render target
• Target network latency thresholds
• Player class stats and weapon damage values

These numbers are from our Game Design Document and are now locked in the architecture doc as the source of truth. Any code that uses a different value is a bug.

Eight weeks in. Let's take stock.

What's working:

• UDP networking layer (custom packets, zero-allocation serialization)
• Connection handshake (headset identification, server registration)
• Lobby system (headset pool, slot assignment, class selection, ready state)
• 30Hz player sync (two headsets seeing each other in real time)
• Basic URP rendering pipeline on Quest 3

What's not working yet:

• Player avatars (still floating cubes)
• Combat (no weapons, no monsters)
• Calibration (headsets still in raw Quest tracking space)
• Operator tablet (defined but not built)
• Audio (silent)
• Any kind of game loop (no match start, no timer, no win/lose)

What I've learned:

1. The network layer took twice as long as expected. Not because networking is hard — it's well-understood — but because the testing is hard. You need two headsets charged and connected, a Mac mini running, and everything on the same network. Every test cycle is 5+ minutes of setup.
2. Unity's Quest 3 build pipeline is slow. An incremental build takes 90 seconds. A full build takes 4 minutes. When you're iterating on a bug, that adds up fast.
3. The team is strong. Everyone is pulling in the same direction. Morale is high. That matters more than any technical decision we've made.

The team is taking the last week of December off. We come back January 5th. See you in 2026.

Build count: 14.

Two Quest 3 headsets. One Mac mini. Real-time player sync at 30Hz.

I'm going to be honest: this is the moment that made the whole team believe this project was going to work.

Player 1 puts on a headset. Connects to server. Gets assigned to slot 0. Player 2 does the same, slot 1. The server is receiving input from both at 10Hz, broadcasting state to both at 30Hz. And on each headset, you can see the other player's head and hands moving in real time.

The latency is imperceptible on LAN. That's the benefit of a private network with no internet traffic competing for bandwidth.

There are problems, of course. The remote player is just a floating head and two floating hands right now. No body. No avatar. Just three cubes in space. But those cubes move exactly when the real person moves, and that's the hard part.

We also hit our first real bug this week: sequence number wraparound. Our sequence numbers are uint (4 bytes, max ~4.2 billion), so wraparound isn't a real concern. But we had a bug where old packets arriving out of order were being processed, causing position jitter. Fix: discard any packet with a sequence number older than the last received. Three lines of code, two hours of debugging.

Everyone wants to talk about combat. Nobody wants to talk about the lobby. But the lobby is where your customer's experience starts, and if it's confusing or broken, nothing else matters.

This week we built the lobby system, and it's more complex than it sounds. Here's the flow:

1. Server starts in Idle state. No match configured.
2. Headsets connect and enter the “Available Pool.”
3. The Operator (a staff member with an iPad) opens the tablet app and sees a list of available headsets with battery levels.
4. Operator assigns headsets to player slots. “Headset A7 → Slot 3.”
5. Players select their class on the headset. Warrior or Mage (for now).
6. Players ready up. The operator sees who's ready.
7. Operator selects the adventure path and hits “Start Match.”

We defined the full set of operator commands — everything from assigning headsets to player slots, to starting and pausing matches, to handling edge cases like swapping players or force-respawning someone who got stuck.

Each player slot binds hardware (which headset) to identity (which player and character class), with hooks for future account integration.

Build count: 9.

This week was all about getting the data layer right. If the foundation is solid, everything above it is easier. If it's wrong, everything above it is subtly wrong in ways that take weeks to diagnose.

Client input packets carry tracking data (head, hands), controller states, and a sequence number. They're compact — well under 100 bytes each — and sent at a rate that keeps bandwidth low even with a full arena.

Server state packets carry the full game state: all player positions, monster states, match progress, and events. Broadcast to every client at a higher rate. Even with a full 12-player match and active monsters, the total bandwidth per client is well within Wi-Fi 6 capacity.

We also built the Shared/ directory structure this week. The shared code (packets, enums, structs, serialization) lives in one place and is symlinked into both the Client and Server Unity projects. This means a change to PacketSerializer.cs is automatically visible in both projects. No copy-paste, no version mismatch bugs.

Short update this week — half the team took a well-deserved break for the holiday. But the other half couldn't stop thinking about rendering.

We got basic URP rendering working on Quest 3 this week. The target is 72fps with up to 12 players and 20 monsters visible simultaneously. That's a tight budget on mobile VR hardware. Our approach:

• URP with custom shaders. No Standard shader — too expensive. We're using Unlit and simple Lit materials with baked lighting where possible.
• Object pooling for everything. Monsters are pre-instantiated and activated/deactivated. No runtime Instantiate calls during gameplay.
• Fixed 12-player rendering slots. RemotePlayerVisual components are pre-allocated. No dynamic creation.

We also started working on the floor and coordinate system. This turns out to be a much bigger problem than it sounds:

The Quest 3's SLAM tracking gives you positions relative to where the headset was when it powered on. That origin is different every time, for every headset. But we need all 12 players in a shared coordinate system so the server can do hit detection, monster AI targeting, and distance calculations.

Solution: calibration. Each player will calibrate their position relative to a known point in the arena. The server works in “arena space” (floor at Y=0, forward is +Z, units in feet), and each headset has a transform that converts between Quest space and arena space.

Build count: 4.

We got two Quest 3 headsets talking to the Mac mini.

I know that doesn't sound like much, but let me tell you what it took:

First, the network topology. Our arena network is private — air-gapped from the internet. The Quest headsets, the Mac mini server, and the operator tablet all live on a dedicated Wi-Fi 6 router that goes nowhere. No cloud dependencies during gameplay. If AWS goes down, your sword still swings.

This week we built the connection handshake:

1. Quest boots the app, reads its configured label from local storage (we physically label each headset: “A1”, “A2”, etc.)
2. Quest broadcasts a ClientIdentify packet with its device ID and label
3. Server receives it, registers the headset in the available pool
4. Server sends back ServerWelcome with an acknowledgment
5. Headset enters “Unassigned” state — connected but not yet in a player slot

We also defined our client types: Headset, Operator, and Display. The display client is for a lobby TV that shows a live view — receive-only, no input.

The connection flow handles reconnection gracefully. If a headset drops and reconnects (battery swap, restart, Wi-Fi hiccup), the server recognizes the device ID and restores its slot assignment. This is critical for a commercial product — you can't tell a customer “sorry, restart the whole match because headset A7 glitched.”

Got this question from three different people this week, so let's address it head-on.

Why not Photon/Mirror/Fishnet/Netcode for GameObjects?

We evaluated all of them. Seriously. Here's why we rolled our own:

1. Bandwidth control. In a 12-player arena, we're sending tracking data for head + two hands per player, 30 times per second. That's a lot of data. Off-the-shelf networking layers add headers, reliability layers, and serialization overhead that we don't need for state broadcasts. Our custom UDP packets are exactly the bytes we need, no more.
2. Tick rate separation. Our server ticks at 60Hz. State broadcasts go out at 30Hz. Client input comes in at 10Hz. Weapon tracking at 30Hz. These different rates are fundamental to our architecture — server-side simulation needs to be fast, but we don't need to flood the network with every tick. Most networking libraries want one tick rate for everything.
3. Operator tablet. We have a non-VR client (an iPad) that receives a completely different data format at a different rate (10Hz). No off-the-shelf solution handles this gracefully.
4. Control. When something breaks at 11pm on a Friday before a Saturday morning birthday party booking, we need to understand every byte on the wire.

So: raw UDP with a custom binary serialization layer. We wrote PacketWriter and PacketReader classes that handle Vector3, Quaternion, strings, and all our struct types. First byte of every packet is a PacketType enum. No magic. No reflection. No allocations.

This week we got the basics working:

• PacketType enum with ClientInput, ServerState, ClientIdentify, ServerWelcome
• PacketWriter / PacketReader with zero-allocation binary read/write
• Mac mini listening on a known port
• Quest 3 sending a “hello” packet and receiving a “welcome” back

It's not glamorous, but it's the foundation everything else sits on. If this layer is wrong, everything above it is wrong.

Today we formally kicked off development on Avalon Battlegrounds. After six months of business planning, location scouting, and investor conversations, the code is finally getting written.

Here's what we committed to on day one:

Platform: Meta Quest 3. The inside-out tracking is good enough for our use case, the price point works at scale (we need up to 12 per arena), and the standalone nature means no PC backpacks, no tethers, no tripping hazards. We looked at Vive Focus 3 and Pico 4 Enterprise — both had strengths — but Quest 3's ecosystem, developer tooling, and consumer familiarity won out.

Engine: Unity 2022.3 LTS with Universal Render Pipeline. We considered Unreal, but Unity's Quest 3 support is more mature, the C# workflow is faster for our small team, and LTS gives us stability over the 18+ month development window. URP over Built-in because we need the rendering flexibility without the overhead of HDRP.

Architecture: Server-authoritative. This was the big decision. We could have gone peer-to-peer and saved ourselves a lot of complexity, but for a commercial product where players are paying per session, we need:

• Anti-cheat (nobody hacks their score at a birthday party)
• Consistent physics and hit detection across all players
• An operator who can monitor, pause, and control the match from a tablet
• Clean post-match data for progression and leaderboards

The server will be a Mac mini sitting in a back room at each location. One Mac mini per arena. It runs a headless Unity instance at 60Hz, receives input from up to 12 Quest headsets over Wi-Fi 6, and broadcasts the authoritative game state back at 30Hz.

The Team: We're small. Deliberately small. A core engineering team supplemented by contract artists and sound designers. Everyone touches everything. There's no “that's the network guy's problem” when everyone needs to understand the full stack.

First milestone: get a Quest 3 talking to a Mac mini over UDP. That's it. One packet, one direction, one connection. We start there.